1984-93-
Arawak Archaeo

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1990
'Anguilla Life' magazine cover featuring 'Marine Life'
mural by Penny, from series of murals commissioned for
Wallblake Airport, Anguilla. This painting is in acrylic
on wood panel, 8' x 4'.
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Penny is a regular contributer to the magazine for
many years, writing about and photographing local
art and culture.
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"What is one of Anguilla's greatest tourist attractions?
Being a relatively small island, it is the gorgeous
white coral beaches and the turquoise and lapis waters
that surround her. This is a rich and wonderful resource,
so I wanted to create a picture focused on the sea.
But rather than showing typical tourist related activities,
I wanted to show the Anguillian relationship to the
sea. I thought this would be of great service in recording
the life of the people of the island, and would be
of great interest to visitors who might otherwise
not be able to see and experience all these things
for themselves. A real part of culture here. Culture
is also an attraction, something genuine we need to
protect and cultivate."
- Penny
in 'Anguilla Life' magazine.
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1988
'The Golden Age of Arawaks' - Acrylic on mahogany panel,
8' x 4', Wallblake Airport, Anguilla, British West Indies.
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1992
'Big Spring', acrylic on mahogany panel, 8' x 4'.
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1988
'Caribs and Pirates', acrylic on mahogany panel, 8'
x 4'.
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1988
'Plantation Days', acrylic on mahogany panel, 8' x 4.
I
painted the historical series of murals for Anguilla's
airport because I wanted a people their history 'at
a glance'. I selected key periods in the island's evolution
and 'collaged' together elements of each era to create
these paintings.
"On
four 8' x 4' wooden panels, I have attempted to trace
some phases and highlights of Anguilla's evolution.
As visitors pass by these successive panels, I hope
they will be taken on a journey through time into the
island's past..In the case of these murals, I spent
a considerable amount of time meditating on the subjects.
Also, two key words in approaching my work are 'collage'
and 'surrealism'. I have spent many years working with
various forms of collage, which for me means cutting
up different elements of 'reality' and reassembling
them to form a new 'reality'. This combines well with
my other study subject, surrealism, which I understand
as being 'above and beyond' realism'..I then use the
collage technique to produce a 'time warp' and condense
time." Penny in Anguilla Life Magazine.
For limited edition prints of the Historical Murals
and the Big Spring mural, go to: www.goddesschannel.com/store.
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