1977-Scrolls

1977 'Scrolls', copy machine body impressions, silkscreen printing with collage elements.

'Androgyne', from 'Scrolls' series. Body impressions on copy machine and collage elements.

'Everything's Coming Up Roses' - face impression on copy machine and college elements.

'Footprints of Vishnu', Xerox feet impression, with collage and diamonte jewels.

For a few years I started doing impressions of myself on the copy machine. When I was teaching at college I used to do face impressions in the lunch hour on the big copying machine. I liked to slow it down so that I got strange spirit-like image effects. Later, Nik and I got private access to a machine and made the series of body prints I call 'Scrolls' or 'Chakra Men and Women'. I felt the body printing was a good 2-D version of the life-cast. For the full body images, we copied sections of our bodies and put them together. My idea with the 'Scrolls' was to create contemporary versions of the Tantric 'Chakra Man', using ourselves as the template, so making the vision of the charkas more accessible. 'Androgyne' is a piece about sexual alchemy and the blending of opposites in the crucible of self, beyond gender. 'Footprints of Vishnu' is my rendition of a tantric art form in which the soles of the feet of god Vishnu are depicted with the auspicious symbols on them.

  • "Also Miss Slinger produces Scrolls, silkscreen mono prints, which seem not to explore the unconscious but to extend consciousness into the paranormal with apparitional heads, feet marked with sigils, ghost hands holding cherries. Evidently both spiritual and physical reality are equally real for Miss Slinger; and both spirit and body should, her work tells us, make an onslaught on the senses. The lady is an authentic artist…"
  • Oswell Blakeston, Sunday Telegraph 1977.
  • Examples of Penny's work in this medium published in 'Copy Art' by Patrick Firpo, Lester Alexander, Claudia Katayangi, Steve Ditlea, 1978. Horseguard Lane Productions.
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